Tag Archives for " Pinched Right Elbow "

Online Students: Ray Davis

By Wayne | Videos: Online Students

If you have been watching these lesson videos it should be apparent by now just how important the takeaway is to the overall pattern of a golf swing. The more I see the right arm lock up and stay overly straight in the first few feet of the swing the easier it is to predict the resulting pattern that emerges, ending with an approach to impact that can be both high and in-to-out with the either the driver or the irons. Ray is another classic example of such a pattern.   The good news is that Ray has an excellent…

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Online Students: Dean Dunn-Rankin

By Wayne | Videos: Online Students

Dean has taken a couple of online lessons and has (according to Dean) improved quite a bit. Here we see that we are getting down to the major issue in his swing, which is that his swing pattern is arms away in the backswing, hands dropping back and down in transition while the legs work underneath him and out toward the ball. This would be a big change to accomplish without hands on work, but it is certainly worth a try. My suggestions include a deeper backswing so that an “out” move with the hands wouldn’t feel so “over the…

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Online Students: David Ferrell

By Wayne | Videos: Online Students

Here we see one of the most common ways to get the clubhead “stuck” behind the hands in the approach to impact. David starts with the “triangle” look at address, which always looks tight to me, and I encourage him to go the “home plate” address (a la Hogan) where both arms are bent at the elbow and only loosely tied to the body. David’s swing doesn’t show any effects of this tightness until left arm parallel in the backswing, where he begins to slide to the right and lift up. His lack of contact with the ground makes it…

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Online Students: Matthew Kontoginais

By Wayne | Videos: Online Students

Here’s a very sound swing by a powerful guy that could be jacked up to produce freakish distance and dialed down for control by freeing it up in the backswing with wider turn produced by greater overall trunk movement, initiated by a wider move with the upper body and an almost immediate deepening of the right hip. In order to feel this wider takeaway (more “carry” with both arms) I would first have him soften his arms at address to look more like “home plate” (elbows bent) than like the proverbial “triangle”. By concentrating on rotating his spine and including…

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Student Lesson: Joey Lane

By Wayne | Videos: Lesson of the Week

You have seen Joey before, and what you find here is more or less a repeat of the last lesson I posted. Joey is a very good junior (he won the Optimist International Junior Championship this year at the Champions course in Palm Beach, Fla. against an international field) but his excellent play has come about fairly recently and his swing is prone to regressing to old habits when he plays in multiple tournaments without getting a check-up. Here he is back to pinching his right arm in the backswing, which sets a pattern for him that ends up with…

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Online Students: Stephen O’Neill

By Wayne | Videos: Online Students

Stephen has an excellent looking swing that could really use the compression movement in backswing to add power and to bring the hands to impact closer to the body, which would help make the squaring of the clubface less problematical than with his high approach. If you look at Stephen’s upper trunk turn in the backswing it becomes apparent that there is room for more coiling of the upper body as the swing heads to the top. In order to get this increased trunk rotation and not lose the brace in the right leg Stephen needs to push the right…

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Online Students: Gates Grainger

By Wayne | Videos: Online Students

This video lesson is a perfect example of why it is imperative to have both the face-on and down-the-line views of a swing in order to do a complete and effective analysis of a swing. Not only can you see different things from each view many items are exclusive to that particular view. For example, you can’t tell how much lateral movement is present in the hips and the head from down the line, just like you can’t tell accurately how the club shaft is moving plane-wise from face-on.   In Gate’s swing we see that he needs to work…

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