I was almost shocked when I saw this swing of Scott’s on television: not because of anything Scott does, but because it is filmed with a stationary camera from the proper angle (behind the hands) and the proper distance away from the player. Imagine that! So, what we get to do is a standard Wayne D. analysis without the problem of camera angles and moving cameras, and we can really see just how good this is and how he has improved from the last time I analyzed his swing. The big thing here is that he has fixed the upper…
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