This is another great example of a non-traditional swing that still demonstrates some of the key movements that make great players what they are. When you consider that some teachers insist that a swing must be “on plane” in the backswing, Moore’s swing, much like Jim Furyk’s and many others, flies in the face of that conventional wisdom. Moore’s move has the shaft vertical to the ground at left arm parallel in the backswing, but he counters that by flattening the shaft up to 60 degrees in transition, giving him an approach that looks much like any of the great…
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